That Floating Poo Was Far Too Meaningful! These Are the TV Disappointments of the Year.

Looking back, we consider the television offerings of the past year, a handful of shows emerge not for their excellence, but for their spectacular failures. Ranging from awkward spin-offs to bafflingly bad docuseries, here are the programmes that left us scratching our heads or just reaching for the remote.

The 'Sex and the City' Sequel

How to start with this love/hate follow-up? Burdened with dreadful scripts, cringe-inducing arcs (we demand better for Miranda!), and a paltry 71 seconds of fan-favourite Samantha, the series fought to find its footing. Briefly, as the final series began, it looked like it had finally hit its stride. Then came an episode all about Seema’s natural deodorant. Little surprise the creator announced this would be the final season. It ended on a low point; the closeup of Miranda’s toilet full of poo was just way too symbolic. Still, fans certainly had a hoot dissecting every single “what on earth?” episode. And as Carrie – once again single – twirled around her palatial townhouse to Barry White, who didn’t release a small sob?

The Kim Kardashian Drama

‘Can Kim Kardashian act? Of course she can’t.’

But that was almost the smallest of this show's problems. The recipient of a exceedingly uncommon zero star review, it was difficult to know where to start listing the flaws. The laughably leaden dialogue? The mind-numbing veneration of affluence and materialism? The almost deliberate procession of tropes? Acting so poor they felt almost spiteful? Suffice it to say “each and every one” and never speak of this show again. Except, a second season has been ordered, so we’re probably going to have to.

The Charlie Sheen Documentary

Considering the restraining orders, domestic violence allegations and parental failures, it’s fair to say Charlie Sheen has been a troubled figure. Not you’d really have known it from this three-part documentary which chuckled along at Sheen’s various episodes of self-destructive hedonism while failing to tell us anything we weren't already aware of. Rather, it felt as if this volatile personality was being pandered to, so any pity this series might induce should be saved for the people who have had to suffer close contact with this charismatic but flippant narcissist.

The Supercomputer Drama

Naturally we understood it was preposterous from the get-go: a thriller about a supercomputer known as Charlie Big Potatoes that could either save the world – or destroy all of humanity. We stuck with it out of sheer admiration for its leads … but by the end, it felt like even they had given up trying. One barely reacted when his character died, and the other ultimately hacking Charlie with an axe … in painfully slow-motion. That's what you call giving up the ghost.

MobLand

Dodgy characters convening in empty boxing gyms? A certain band's Firestarter jackhammering away in club scenes? The late 90s called and wants its crime drama back.

Actually, that is unfair on the gangland dramas of the late 90s. Many seem a bit dated now, but at least they didn’t endure the embarrassment of having to indulge baffling dialects. But there were plenty of other issues. Primarily that it was just profoundly dull; a conflict over drug-selling territory between various cockney picaresques which felt a bit basic.

With Love, Meghan

Considering the extent to which she grinds the gears of the nation’s ostentatiously angry commentators, it’s almost tempting to admire the Duchess of Sussex’s televised ventures into quaint lifestyle as deliberate provocations. But then you watch them and are forced to admit that in this case, they may have a point. It’s like watching a homeware magazine come to life; a poster for evening drinks with delusions of grandeur; a parade of snoozing dogs, buzzing beehives, sentimental sayings and forgettable crafting “tips” you’ll forget instantly. All underpinned by vast, largely unearned wealth. Ugh.

Victoria Beckham

There are obviously fascinating things to be said about regarding Victoria Beckham and her journey with vocation, self-image, self-worth. But for whatever reason, this documentary series chose not to say them. Rather, the viewing was akin to reading a marketing catalogue. She clearly has good reason to resent what she describes as her “stern” image. But unfortunately, she failed to do herself any favours with this guarded non-event of a series.

The Inheritance

It had the potential to be the next big hit – except even camper, with a glamorous star playing dead and a well-known personality managing her estate. What more could you want? As contestants competed, there was plenty of backstabbing and squabbling. But the rules quickly became bewildering: it’s still too confusing to explain what exactly was happening. Even more regrettably, we only saw glimpses of the star via prerecorded videos. The series ended up reeking of a programme that was trying way too hard to emulate something far greater than it.

Too Much

How does one follow a show that defined a generation? The pressure was immense for this starry romcom about Jessica, a rosy-eyed New Yorker who arrives in London with a broken heart. The star took her biggest role by the horns and was a delight to watch, embodying Austen levels of romantic ideals. But it was all very glossy and, paradoxically, was insufficient. Plus, the sheer amount of famous friends involved felt uncomfortable.

The Sketch Show Return

Not good enough to be ‘patchy’.

Given the smart inclusion of talented emerging comics, hopes were high. But sadly, most of it didn’t land. A recurring sketch was a single joke milked to a husk but recurring in every episode. One star seemed too willing to slip into a well-known irate mode. The behind-the-scenes sketches, meanwhile, simply provoked the thought that they should probably have stayed in there a while longer.

The Twisted Tale of Amanda Knox

This dramatisation of the story of Amanda Knox was overseen by Amanda Knox and pretty much exclusively presented the viewpoint of Amanda Knox. So, while there probably is an interesting drama to be made about the horrific 2007 murder, this isn’t it. The material needed to be treated with care. Instead, the series laboured awkwardly to find the right voice, lumbering from oddly breezy, slightly mannered farce to ultimately, real-life horror. Twisted? Arguably. A total mess? Very much so.

The Maths Genius Thriller

We love the lead actor … but did we buy him playing the greatest maths genius in history, a man so intelligent he’s on the brink of a discovery that could destabilise society? Nope! This international thriller about secret services spying on – and killing off – intellectuals frankly got more absurd by the second. Silliness-by-numbers.

1000 Men and Me: The Bonnie Blue Story

This uncritical portrait followed the online personality notorious for explicit escapades as she undertook her biggest feat yet. What on earth would possess her? What we craved was far greater examination of her true psyche, plus those of the men in the line. They could at least have interviewed the now-famous mum who appeared to drag her son away from the queue. What we got was horrific shots and zero interrogation of her notoriety whatsoever. And to think, the documentary-maker has a young daughter too.

Brandi Alexander
Brandi Alexander

A seasoned gambling analyst with over a decade of experience in casino strategy and game reviews.