🔗 Share this article Pure Potential or a Pristine Problem? Pantone's Snowy Colour of the Year Faces Criticism. The title of Colour of the Year goes to Pantone's 2026 Colour of the Year. For those who has spent years living in rental properties, confronted by the same standard-issue beige walls and dreaming of injecting personal style to their home, Pantone's 2026 Colour of the Year might be perceived as a disappointing choice. This year, the influential color company has selected a shade of white as its premier hue. In detail, the shade is called Cloud Dancer – a white described as "elevated" and "billowy" which "acts as a emblem of tranquility in a society re-learning the value of introspection". It marks the initial instance a pure white has been chosen as the Colour of the Year, and it has sparked considerable debate. Per Pantone, Cloud Dancer "is not just a colour, it's a philosophy" and signifies a shared desire to slow down, reset and seek peace after years of sensory saturation. An entirely white application of Pantone's Cloud Dancer – serene in theory, anxiety-inducing if you enjoy red wine or coffee. But some commentators have dubbed the decision as "out of touch", suggesting that championing minimalist and immaculate white spaces can seem far removed from the more compact, messier homes the majority inhabit. Others propose that presenting white as an ideal carries subtext related to race, landing uncomfortably during ongoing societal dialogues about race and representation. Sterile or Serene? Interior expert One design critic says the counter-reaction goes beyond aesthetics, arguing that white holds cultural undertones and is seldom a neutral choice. "White is a signal," he says, shaped by a decade of minimalist celebrity interiors – most famously Kim Kardashian's austere home – that came to epitomize "affluence, control and distance from chaos". He clarifies that white is "not intended to inspire but taking care not to cause upset", with Cloud Dancer embodying "austerity, virtuous simplicity and the concept that neutrality denotes goodness". Chris believes Pantone's choice for 2026 is "misguided". Beaumont points to the pandemic as a turning point in how people relate to their homes. "Overnight they became our offices, sanctuaries and emotional anchors," he says, noting that in this context, pushing the Colour of the Year towards "more visual emptiness feels rather disconnected". Rather than providing calm, he believes white now threatens to intensifying "a sense of emptiness", particularly when combined with cool, clinical lighting. 'Hospital Vibes' Lara Clark, a UK-based interior designer, agrees and says Cloud Dancer "is not perceived as a colour" and is "firmly in the bin for me". While it may work in highly minimal or structural spaces, she says bright whites rarely foster calm in real homes. "An image of tranquility in a professional photo can readily seem clinical at home," she explains. "The color white may seem harsh and unforgiving and you wouldn't wish your home to emit clinical feelings." According to Lara using white in real homes can create a sterile feeling. She adds that "living spaces should spark joy and feel warm and lived-in, and this shade seems quite distant from that." Beaumont hopes that homeowners will reject the Pantone Colour of the Year in preference for "unabashed joyful interior design", using colour to showcase personality. The vice president of the Pantone Colour Institute stated that people "bring different feelings" to the significance of the colour, but it was selected as it "integrates perfectly with everything around it, providing a sophisticated impartiality that feels deliberate and versatile". Beginning in 2000, Pantone's Colour of the Year has evolved into a significant industry signal. Previous selections have included the hopefulness of a vibrant pink-orange, the serene assurance of a deep blue, the vibrancy of a bold pink-red, and more recently more gentle, feeling-based tones like a soft peach. These hues extend beyond trend forecasts - they appear in fashion collections, cosmetic products, interiors, packaging and even technology, shaping how products are marketed and how consumers envision the coming year. Beauty products previously released a line based on Pantone's 2015 Colour of the Year - a rich red-brown. Victoria Robinson, says Cloud Dancer is a "beautiful choice" and while it may seem basic, "this specific hue seems soft and elegant rather than stark". In contrast to those who say the colour is boring, Robinson sees it as "flexible" and says it's best used in "bedrooms and living areas where you want a peaceful, restful atmosphere". "Should you prefer not to redecorate, you can incorporate the colour into a room with pillows, throws and curtains." Pantone's Colour of the Year for 2025 was Mocha Mousse which "encourages a pure and organic philosophy to indulgence". Design expert Another professional says although he was surprised that Pantone's selection this year was "essentially the absence of colour", it is a bit like vanilla ice cream, in that "it is universally accepted but it's not a top choice". He can see its benefits, noting that white can work especially effectively as a background for design features like wall molding and curved entries which is a "growing trend in contemporary houses". In apparel, white has long been a basic rather than a statement and as a Colour of the Year it presents a unique test to designers more accustomed to bold shades. Fashion consultant A styling expert says elevating white seems "not focused on newness and more concerned with purpose", indicating a movement towards refinement after years of fad saturation. Oriona says white is a hard colour to wear successfully in fashion. "The color white compels designers and those who wear it alike to concentrate on shape, proportion and craftsmanship, there's really no room for error," she explains. But she adds that it also holds assumptions around self-image, way of life and privilege, saying: "When white is viewed as something only a narrow group of people can pull off, it becomes divisive." She says the industry is already aware of the problematic connotations tied to celebrating white as an aspirational standard, especially during continuing discussions about representation and accessibility, and the real test will be whether "companies address that nuance honestly, or simply aestheticise the colour". A Societal Shift, Not a Fad Stylist Another expert admits the choice initially shocked her, given Pantone's track record of bold colours, but says it reflects a genuine shift and fits within a wider mood of "quiet luxury